Guest Post: Other People’s Mail
January 10, 2012 § 1 Comment
I was recently telling Lindsay, poet and blog-keeper at Goose Hill, about several books of collected correspondence I’ve read in the past few months. She responded by telling me about her favorite collections of correspondence. I enjoyed what she had to say and thought that you would, too, so I asked if she would guest post on Scribbling Glue. And to my delight, she agreed!
Other People’s Mail
Guest Blogger: Lindsay Lusby
After I read Words in Air: The Complete Correspondence of Elizabeth Bishop & Robert Lowell, I knew I needed to find an old manual typewriter. The aesthetic of their letter-writing process bleeds into the content of their correspondence. There’s the sound of the keys hitting the ink ribbon and the paper like a piano. The smell of metal and ink. I was smitten.
There is a whole genre of books out there chronicling the correspondence of famous friends, especially literary ones; and I have just begun delving into it. I began reading Words in Air because Elizabeth Bishop is my all-time favorite poet. And reading her letters with fellow-poet Robert Lowell was like getting to eavesdrop on a lifetime of their conversations together. It felt like a privilege.
Then recently, there was another collected correspondence published to which I was also very drawn: Floating Worlds: The Letters of Edward Gorey & Peter F. Neumeyer. I am also a big fan of writer and illustrator Edward Gorey. And I found my reading of this compilation to be a similar experience to Words in Air: thrilling to be included in this secret world shared by two intimate friends and also comforting in the day-to-dayness of it. I found the same qualities I loved about each of these writers (and artists) that I admired in their published work, but it was tempered by the chores of practical living.
Both of these volumes also included facsimiles of some of the actual hand- and type-written letters, and in the case of Gorey and Neumeyer, some of Gorey’s illustrated envelopes.
But even beyond these bits of ephemera (which I love!), there is something in these books (and others like them) that can’t be found in biographies or even autobiographies of these literary figures I admire. Interaction. Intimacy. These unpolished words were not written for anyone but the other letter-writer to read. It’s the writer (or artist) in his or her natural habitat.
Lindsay Lusby graduated from Washington College in Chestertown, Maryland with a B.A. in English. Now, she works at her local public library and a nifty new bakery. In her spare time, she writes poetry on her typewriter, sews thingamajigs, drinks tea, dabbles in letterpress printing and bookbinding, browses through used bookstores, and naps with her cats (and sometimes with her dog). Her poems have appeared in The Coachella Review and are forthcoming from Moon Milk Review. She blogs at Goose Hill.